8:52 pm - Thu, Oct 9, 2014
69,971 notes
extraextraex:

pretty tired of seeing this hair trope on asian characters

extraextraex:

pretty tired of seeing this hair trope on asian characters

(via wakeupening)

8:20 pm - Sun, Oct 5, 2014
58,432 notes

kelsium:

You can tell a girl she’s smart her whole life, encourage her in school, buy her a chemistry set, send her to math camp, help her apply for college scholarships in STEM fields, and she’s still eventually going to walk into a classroom, a lab, or a job interview and have some man dismiss her existence, deny her funding, pass her over for a promotion, or take credit for her work. How about you work on getting those assholes out of power and quit telling me not to call girls pretty.

(via peppers-pray)

7:18 pm - Mon, Sep 15, 2014
72,696 notes

coelasquid:

entropically-favorable:

jeffdeluca:

Dino Dim Sum.

Is this the grown up version of dinosaur chicken nuggets?

I’m crey.

6:10 pm - Sat, Sep 13, 2014

Sometimes I think it’s human nature to subjugate and enslave others.

7:31 pm - Wed, Sep 10, 2014
521,317 notes

(Source: sandandglass, via buttastic)

6:16 pm - Tue, Sep 9, 2014
28,924 notes
Q: Just curious on how you approach composition and perspective. I feel as if sometimes I think too hard, not really about what to draw but how to draw it and make it look interesting. The comic panels you have been doing are amazing. Any tips/references on improving my knowledge of composition and perspective? What do you think about as you lay your pencil on the drawing paper? what goes through your mind?
ziggy9911

jakewyattriot:

*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.

Okay. Let’s do this.

1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.

Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.

Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.

2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.

Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.

3. Sketch around in rough perspective. NO RULERS.

So let’s make some simple space. let’s start with a two dimensional surface…image

K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.

image

Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)

image

And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.

You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:image

Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?

3. Sketch around in rough perspective MORE. STAY LOOSE.

See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.

image

Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.

Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.

4. Draw environments from life.

I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.

You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:

image

Learned from the receding, winding space I tired to draw here:

image

Layered, interior spaces:

image

You get the idea.

image

Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.

image

Take a second and just draw a quick sketch of whatever room you’re in.

5. Perspective in formal Illustration: apply what you’ve learned.

1. I always start with research. For this particular location I looked at Angkor Wat.

2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.

3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.

image

4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.

5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.

And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you.

-Jake Wyatt

6:13 pm
35,279 notes
Dude, you’re so edgy and politically incorrect. it’s totally ironic and satirical how you regurgitated those ancient and threadbare stereotypes. It reminds me of my great great great great grandpa, Cracker von Patriarch, who also challenged the status quo by embracing it with loving tenderness.

I don’t know where I came across this, but it’s witty as fuck  (via naartje)

Take note college campuses (and the world, by extension). (via note-a-bear)

Always reblog the Ballad of Cracker von Patriarch. (via mumblingsage)

(Source: octagon-surgeon, via buttastic)

8:32 pm - Sat, Sep 6, 2014
157 notes
If Hannibal wanted Will dead, he would be very, very dead. So he might be dead - but he left him with a small chance.
Mads Mikkelsen, answering my question on whether Hannibal intended to kill Will in the finale or not (via bonearenaofmyskull)

(Source: pointedperception, via bonearenaofmyskull)

1:27 pm
324,133 notes

milthanks:

vinegod:

how i feel when i wear glasses vs how i feel without them. by AlliCattt

where’s her oscar because this is a full movie in 6 seconds

(via havisham)

12:20 am - Fri, Sep 5, 2014
97,976 notes

(Source: asthetiques, via mlysza)

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